Sunday, December 14, 2008
DIFF 5 – Day 2 Roundup
13th December 2008
Day 2 at the DIFF-5 was mostly unkind, but not at all disappointing. Of the four movies I ended up watching, one bowled me over while the other three fell short, miserably. More on them in detail...
Darren Aronofsky | U.S.A. | 2008
Aronofsky is a director of repute, his name alone warranting any movie a watch. With all the Oscar-buzz surrounding The Wrestler and the universally-spoken rebirth of Mickey Rourke in a drama role as the movie's title character just makes this movie unmissable. The Wrestler manages to efficiently side-step those expectations, and yet deliver a wham to the senses with its intimate look into the life of a way-past-his-prime professional wrestler. Rourke embodies (literally) this ailing, lonely man with a heartbreaking honest performance; one that identifies with the loneliness and loss of identity that each one of us go through sometime in our lives. Aronofsky, whose past three movies have dealt with the subject of obsession, changes his visual style for The Wrestler - there are no crisp-clean shots or striking imagery in this film - yet reaffirms his mastery at intimate characterization. The film also features another great soundtrack by Clint Mansell, something of an Aronofsky's trademark now. Easily the best movie of the Festival yet, featuring one of the best performances of the year.
Ed Harris | U.S.A. | 2008
Appaloosa is a breed of horse, and the possible reason for the naming the movie on the horse could be because of its unconventional looks. Appaloosa (the movie, since that is the only experience I've had with any Appaloosa), is equally unconventional for the genre it is based on. Ed Harris, in only his second directorial venture, again casts himself as the main-lead and conveniently eats up most of the screen time. Unfortunately so, as it undermines an extremely interesting portrayal of Viggo Mortensen's Hitch (Harris' right-hand man). At less than two hours, the movie drags on for too long not knowing when to to go where. Although a western set in the "Wild West", the production never authenticates. Other weak characters do not help much: Jeremy Irons' far-reaching outlaw Braggs (Ed Harris forgot what to do with him) and the annoying Renée Zellweger's free-associating "Mrs" French (an eccentric character hopelessly miscast). A big disappointment, especially after watching its two leading men spark the screen in their last outing together.
Pablo Agüero | Argentina | 2008
I had seen one Argentinian movie before Salamandra, the excellent El Custudio - a movie I still regard as one of the finest selections by DIFF across the years. Unfortunately, my reason for selecting Salamandra falls flat on its face 20 minutes into it. There is not much conventional about the movie, but this movie about the transition of a mother-son duo from settled to hippies has nothing going for it. Even at 91 minutes, and some alarming (read shocking) visuals, it stretches the patience of its audiences to earn the notorious title for most walk-outs at DIFF (for the movies I've attended). Just stay away.
Heaven on Earth
Deepa Mehta | Canada | 2008
Deepa Mehta is a director I am not convinced of. Her Canadian base has given her a liberal, western outlook on the desi issues/myths that liberal westerners are not usually aware of. And therefore, her movies become polarizing depending on how much you accept this viewpoint. Heaven on Earth deals with the issue of domestic violence in emigrants. A noble subject, but the inclusion of melodramatic elements (without its partner-in-crime, song & dance numbers) and unconvincing, forced stylization renders the movie ineffective. Preity Zinta is too much of a pretty face - glorified & angelic - to bring the authenticity required in apparently "realistic" movies as this.
Day#3 (Sunday) is going to be marathon mixed-bag of five movies. Do not expect anything profound, unless I make discoveries in the unknown and the un-celeberated.
Categories: Dubai Int'l Film Festival